After researching various methods, I selected Stereolithography (SLA) for its precision and ability to produce detailed, smooth textures with minimal post-processing. Although some delicate parts broke during printing, I was able to restore them, resulting in a detailed, expressive sculpture. The dragon was then seamlessly integrated into the garment design, complementing the curved structure of the Ao Yem and honoring its classic silk and embroidery details. This piece stands as a tribute to Vietnamese tradition while embracing the future of fashion—a modern interpretation that blends art, culture, and technology into a meaningful statement of identity, empowerment, and creative expression.